Pixel Corps TV

Episode Guide

125

June 22nd, 2011

Magic Bullet Denoiser

Brian shows Steve how to use Magic Bulletʼs Denoiser plug-in for FCP to remove noise from DSLR footage he recently shot for a cable network trailer.
 
124

May 17th, 2011

OmniGraffle in Production

Director Taz Goldstein showcases OmniGraffle as his pre-production tool of choice for helping him plot out camera moves and placement on the set. Taz used OG on a feature he recently directed for Disney.
 
123

May 4th, 2011

Using Music to Enhance the Edit

Brian Gary and Norman Hollyn discuss using music in the editing process to best enhance the mood of a scene, bringing the audience to a "lean-forward moment"
 
122

April 28th, 2011

3D Particle Emitter Tricks

Mark Spencer and Andy Neil discuss using Motion's particle emitter to design rotating 3D particle clouds.
 
121

April 14th, 2011

Tangent's iPad Control Surface for Apple's Color

Don't want to spend thousands on a control surface for Apple's Color? Then use Tangent's free control surface on your iPad. Steve and Taz take this amazing little app for a test drive.
 
120

April 8th, 2011

Working with Photoshop 3D Objects in After Effects

Steve demonstrates how to import a 3D-rendered Photoshop file into After Effects and work on it using AEʼs full compliment of animation tools.
 
119

March 31st, 2011

Using Aperture to Manage and Edit Time-lapse Images

Steve shows Brian why Aperture should be part of your workflow when shooting time-lapse images on your DLSR.
 
Running time: 08:46

May 17th, 2011

OmniGraffle in Production

Brian Gary

Director Taz Goldstein showcases OmniGraffle as his pre-production tool of choice for helping him plot out camera moves and placement on the set. Taz used OG on a feature he recently directed for Disney.